I’m concerned about voices, voice recordings, field recordings and their boundaries as a marker to the talking place and the situated knowledge.
How do your city, your neighborhood, and your memories construct you?
How do you signify it?
How could you create and perform these memories, voices, stories and environment?
Imagination, places, my voice, your voices, someone else’s voices: a textural and noisy world.
The way I hear and how it constructs my world: talking place as depending on my listening place.
Your voice and the way you speak and perform marked by your gender, race and your history (or herstory).
How can I give voice to all my ways of speaking and listening?
How can I make music on my situated knowledge?
The body/voice as the simplest and maybe the most complex form of existing – its semantic meanings, its poetic meaning and its sound possibilities – as a whole material to be worked on.
Instruments as voices, and voices as instruments: all possibilities combined, to be constructed, deconstructed, combined, processed and r ???????? Texto incompleto
Projeto Bel Medula
Canções mântricas e grooves pesados com letras que exploram as diferentes formas de ser mulher no mundo.
Isabel Nogueira e Luciano Zanatta trazem sobreposições entre noise, drone, samples e gravações de campo em criações sonoras baseadas em improvisação.
Elaborado a partir de um processo experimental, a primeira versão das canções fez parte do projeto #30dias30beats 2020, que reuniu mais de 160 produtores e produtoras do Brasil.
Cartas do Deserto
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